The Velvet Underground - the Quine Tapes is a definitive document of the live Velvet Undergr. The Velvet Underground - B. Tapes.zip 918,32 Mb. Choose a download type Download time. 7 hour(s) 28 minute(s) 5 minute(s) 6 second(s) Download restriction. A file every 60 minutes. Accelerators supported. Instant download. Resume aborted downloads. The Velvet Underground - the Quine Tapes is a definitive document of the live Velvet Undergr. The Velvet Underground - B. Tapes.zip 918,32 Mb. Choose a download type Download time. 7 hour(s) 28 minute(s) 5 minute(s) 6 second(s) Download restriction. A file every 60 minutes. Accelerators supported. Instant download. Resume aborted downloads. Velvet Underground - Quine Tapes Vendor: Sundazed Music Collection: Released: 2010 NEW VINYL LP BOX-SET ON SUNDAZED MUSIC 2010. The Velvet Underground’s revolutionary mix of boundary-breaking sonic extremism and transgressive lyrical content changed the face of rock ‘n’ roll forever. Features Song Lyrics for The Velvet Underground's Bootleg Series, Volume 1: The Quine Tapes album. Includes Album Cover, Release Year, and User Reviews.
NEVER-BEFORE-RELEASED 1969 CONCERT PERFORMANCES DEBUT ON
THE VELVET UNDERGROUND BOOTLEG SERIES, VOLUME 1: THE QUINE TAPES
The time-honored tradition of a fan taping a live concert of a favorite band takes an unusual twist with the three-CD set The Velvet Underground Bootleg Series, Volume 1: The Quine Tapes (Polydor/UME), released August 28, 2001. Robert Quine was not only a fan of one of rock's most influential and legendary bands when he recorded the group in 1969 but the guitarist later became a founder of punk pioneers Richard Hell & the Voidoids and from 1981-1985 recorded and toured with Velvet Underground leader Lou Reed. He's also recorded with Brian Eno, John Zorn, Lloyd Cole, Matthew Sweet, Tom Waits and Marianne Faithfull.
Bootleg Series, Vol. 1: The Quine Tapes is a three-CD compilation of live performances from the Velvet Underground.This is likewise the first in presumably a series of recordings documenting the band's concert visage throughout their brief history.
An informed listener, in 1969 Quine became a friend of the band and was sometimes asked to play back a particular song from the previous night. He was also savvy enough to take his original cassette tapes and transfer what he considered the best performances onto reel-to-reel tape. Those four hours comprise the digitally compiled and remastered The Quine Tapes. All but one of the tracks are previously unreleased ('Rock And Roll' appears in a different mix on Velvet Underground Live 1969). Recorded at a large hall (The Family Dog) and a small club (The Matrix) in San Francisco, and the basketball gym at Washington University in St. Louis, the collection illustrates the band in both spacious and intimate environs.
The Quine Tapes find The Velvet Underground just after John Cale's exit and just before the band's final studio album, 1970's Loaded. With Reed (guitar, lead vocals), Sterling Morrison (guitar, vocals), Doug Yule (bass, organ, vocals) and Maureen Tucker (drums, vocals), the group is at the height of its powers as it spans the Velvet Underground opus, from 'I'm Waiting For The Man' and 'Heroin' to 24-, 38- and 28-minute versions of its signature tune, 'Sister Ray.'
The Velvet Underground Quine Tapes Zip Code
Also heard are scintillating performances of 'Foggy Notion,' 'What Goes On,' 'White Light/White Heat,' 'Ride Into The Sun,' 'Follow The Leader,' 'New Age,' 'Too Much,' 'I Can't Stand It,' 'Some Kinda Love,' 'Femme Fatale,' 'After Hours,' 'I'm Sticking With You,' 'Sunday Morning,' 'Venus In Furs,' 'Over You' and 'Black Angel's Death Song.'
The Velvet Underground Quine Tapes Zip File
The Velvet Underground heritage of underground tapes plus a series of archival packages helped spread the band's notoriety in the '70s and '80s (the group was inducted into the Rock And Roll Hall Of Fame in 1996). But, in the end, The Quine Tapes are about a fan and a band. As Quine writes in the package's liner notes, 'Listening to this stuff all these years later, I'm ultimately the same fan I was in 1969.'